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>Important point to me. I was happy we did not have the means to save >loops easy so far. I think it helps a lot to study and record, maybe >sometimes on stage, but I am scared of prerecorded loop mixing >concerts... those could distroy the fascination that we feel about >looping at this stage. >-- > > ---> http://Matthias.Grob.org Interesting, Matthias...In contrast to a conversation i had with Damon at the Namm show. He was expressing interest in playing live with ALL of the loops prerecorded, and funnelled through various signal routings and effects ON STAGE. So that the 'musicians', who normally 'play' their instruments and the 'sound design' of the performance is controlled by the engineers, would now be in complete control of the sound design. (with the Repeater's time/pitch/fx/resample functions...the open and liquid nature of such a performance becomes more apparent) He cited the Chemical Brothers as a frame of reference...That the enjoyment of their live show, for him, was how well they controlled the whole 'sound'. to each his own, eh? food for thought on both sides of the fence. rich