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Howdy all!
It seems like whenever there's a new ear candy effect processor or studio piece, pro musicians gravitate toward it with wide open arms and it becomes a vital part of their sound or recording process. Why isn't this true with looping devices?
Looping is the future of music is it not?
Can you imagine Steve Howe, Chris Squire, Pete Townshend, Paul Westerberg, or any great player or writer from the "old days" ...creating with a modern looper.
When will History repeat itself?
Todd Quincy
openjam.com