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Hi! I'm very interested in the software you and your friend are working on. I got your post through Looper's Delight, and I have to say I was floored. I've thought about an independent channel octophonic system for years now, and have many ideas on the subject. My question is, are you just making a program that will allow discreet mixing to the 8 channels, or are you programming an automatic mixing architecture that will allow locallized sound placement within an audio matrix field? This way, one could use a joystick to "drive" a sound across the field, and, if one were especially tricky, program psychoacoustic effects to follow the sound along, such as a simple phased doppler effect as it passes "center" or a reverb dispersion which simulates space beyond the speaker array itself, turning a localized listening room into an enourmous cathedral. This kind of software would also be crucial for the programming of supersonic sounds summing out of phase at their intersection point, creating an ACTUAL locallized sound, which can only be heard within the intersection. As you might know, supersonic sounds have a low rate of dispersion, and can be focused like a laser. If one were to create an array of these speakers, one could actually pixellate sound. (providing there's no one and nothing else in the room to obstruct the sounds from reaching their intersection) Please let me know if any of these are being addressed, and when you expect to be finished. Sincerely, Aaron Goldsmith