> Most PA setups don't do stereo for the reason that (especially outside) you've > got people all over the place that want to hear the full mix. If you've got a > lot of stereo information going out, you risk that people on one side are pretty > much not going to hear half the mix. Aside from my webcasts and small cafes, I > always go mono in larger clubs. I've heard big-ish bands like the Butthole Surfers and the Orb who make heavy use of stereo live... I always mix (yes, I mix on stage too, but I'd love to find someone reliable and get that task away from me) taking this into account, but a lot of my delays and the DL-4 of course are heavy stereo spacial disruption generators, the effect is dramatically reduced in mono. The usual club setup these days has floating stereo speakers above the crowd that let people on the left hear the right speaker and vice versa... /t -- I am the wombat.