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Looper's Delight
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On Tue, 14 Aug 2001 20:18:06 -0400, Tim Nelson <tcn62@ici.net> wrote: >I think there's some validity to that last part, but to me it's a matter >of >degree. No it isn't. ;) All your examples have displayed a fundamental prejudice: you think sample-based music by definition consists *exclusively* of "play this, then play that". This is most certainly not the case -- all the sampled material I use is augmented by layering, effects, and original material. I'm well beyond the radio-DJ "crossfade into another song by someone else" style. Some people aren't; a friend of mine bought a CD by Richard "Humpty" Vission on the way to my wedding which essentially consisted of several one- to two-minute remixes crammed on the same CD and presented as a single work. Some stretches were cool for as much as three minutes; others just plain sucked. Vission certainly does have fans and sell CDs, though. Evidently, this is good enough for a lot of people. But that's NOT what I'm doing. Your examples trivialise my work/art/product (choose the term you find most acceptable). I'm playing "The Sound of Music" and "Rawhide" at the same time through an effects rack *while* I solo over it. I'm sawing the statues up and nailing them all together in a new configuration with unframed paintings covering their faces and religious bumper stickers over their unmentionables. I'm serving pesto tortellini between two all-beef patties with special sauce on a black forest torte bun topped by an artichoke heart and jalapenos. Whether any of the above is art can certainly be argued, as I've said, but you have to admit it *is* creative. Even if it sucks. (And that food example certainly isn't something *I'd* want to eat.) >while parody may certainly be entertaining, >it's ultimately not as satisfying as an honest, original artistic >expression, and doesn't stand up to repeated listening. I'd like to take exception to the implication that all sample-based music is parody, and neither honest nor original. I won't further belabor that point, but your thinking seems a bit constipated here. Samples are a tool. I don't *need* them to make music. I have a perfectly good rack of synths and effects boxes, and the Strat next to my desk isn't there for show. (If it was, it wouldn't be left handed.) If I don't have what I need, or what I have isn't *quite* what I need, I don't have the slightest problem with firing up the console and laying it out. But if I've already *got* what I need and have to choose between using a sample or using an imitation, I'll use the sample. Consider the following. Original, composed of self-produced loops from live play: ftp://ftp.darklock.com/pub/darksound/dusk.mp3 Original, composed of self-produced loops from samples: ftp://ftp.darklock.com/pub/darksound/violex.mp3 Original, composed of stock loops from sample CDs: ftp://ftp.darklock.com/pub/darksound/pitm.mp3 Original, sample-based with added original material: ftp://ftp.darklock.com/pub/darksound/tina.mp3 Derivative, sample-based with added original material: ftp://ftp.darklock.com/pub/darksound/everywhere.mp3 Original, *completely* sample-based: ftp://ftp.darklock.com/pub/darksound/sk8.mp3 The interesting thing is how opinions differ on the material. The top three are the tracks that have garnered the most praise from other musicians. But the *bottom* three are the ones that have garnered the highest download counts from the general public! While musicians constantly whine about how sample-based music isn't "really" music, people certainly seem to like listening to it. And besides, if your art doesn't shock people, maybe it's not *really* all that original. ;) >>My take: it doesn't matter how >>long the sample is. It matters what you DID with it. If you didn't do >>anything, it's theft. If you did something interesting and unusual, it's >>creative. > >But a whole VERSE?! It was the natural endpoint of the vocal. Nobody would think twice if I sampled eight measures of a drum beat or a melody. Sure, it evolves over those eight measures, that's the natural loop point, no problem. Why are lyrics any different? After all, I'm often told by other electronic musicians that vocals are only another instrument, organised noise which should be used just like a guitar or a synth -- rather than, say, to communicate some kind of *meaning*.