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Music for me is most profound and enjoyable when it communicates emotively and intuitively, so that's my ideal. Not necessarily 'deep' or 'complex', simple, light and subtle is fine. I just saw a cajun band last night. Simple music, upbeat, lighthearted, but it struck a chord in me and changed my mood dramatically that evening. Right now I'm listening to Steve Tibbetts. Music, nummy. Mike ----- Original Message ----- From: "Caliban Tiresias Darklock" <caliban@darklock.com> To: <Loopers-Delight@loopers-delight.com> Sent: Thursday, August 16, 2001 3:43 PM Subject: Re: Basic intro (OT) > On Thu, 16 Aug 2001 15:24:17 -0400, "Christopher White" > <magicicada@charter.net> wrote: > > >I would hope people would not give a fick about what I use > >and concentrate more on the qualities of the music and how > >it makes them feel or think. > > That *is* what it's all about, isn't it? I find it so strange when > someone criticises music based on some ridiculous thing like "oh, that > 'chiff' patch on the DX7 has been SO overused". It strikes me as very > much like walking into a gallery and saying "pfft, he used yellow ochre, > how plebeian". And the converse applies, as well; when someone says > something like "you made heavy use of second intervals, that's such a > profound departure from current musical standards", I just want to smack > him. It's like we're more concerned with the blueprint than the house. > > >it is all communication we all just use a different > >languages or gestures- ya know- > > Which leads into another interesting question, to what extent do people > here think their music communicates or is intended to communicate? There > are many musicians who think music needs to have deep, complex meaning; > there are others who think music is just music, and who cares what it > says. There's no right or wrong answer on this, of course, but I'm > interested in people's positions with respect to their own music. >