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on 8/16/01 1:52 PM, Caliban Tiresias Darklock at caliban@darklock.com wrote: The practice of rewriting lyrics to > popular songs is quite alive and well in science fiction fandom On lifted riffs used in the context of a new work to add texture: the theme song from the six milion dollar man (god bless him and rudy and oscar and jamie and their little dog max too) was reconstitued in the jupiter 8/PPG wave string line in Thomas dolby's "One of our submarines is missing, to a chilling effect, and was also used in slow motion during the scene in Terminator 2 in which Arnie is in that technology building toward the end surrounded by cops that they end up shooting the crap out of and blowing up. If they aren't paying royalties on that they should be. Anyway, both part of something that's pretty well regarded as original work. How about Huey's "I need a new drug", "ghostbusters"that one from "ray parker junior", M's "pop music"?. If you were to even try to imaging the bass riff to these three songs in proximity they would beging to blur and meld, dripping with sameness, yet all still regarded as unique creations and certainly memorable ones. No one's going to solve the whole (important) issue of people geting paid for what they originate here, at least not in the space of a flurry of emails, but i feel these examples would support the work of Djs and samples users weaving original works as artists.