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I mentioned Richard Pinhas and Heldon here some months and several people had said that they had never heard of him. This is a pity because in my mind he is one of the originators of that sort of guitaristic loopy sound that we associate with the idea of Frippertronics -- and starting at about the same time. (The first song on the second Heldon album is called "In The Wake of King Fripp".) A French guitarist, he's played New York a few times in the last couple of years, but didn't get very big crowds at his Knitting Factory shows (a real shocker to me, particularly since one of them had the excellent SF writer Norman Spinrad reading along with the music -- it really worked well, too...) At the time, he was using two EDPs and various other gizmos I don't remember. At the worst, it's lots of looped synth sequences and guitar solos -- which isn't bad! But there are some excellent propulsive albums with assaultive drumming and sound all over the place -- "Interface" and "Stand-by" are the classics. It's a shame they never made live albums of this, because I have somewhere a bootleg tape of a concert in Germany that is completely over the top, around 1977, the drummer sounds like a machine shop and the guitarist a buzz saw, it's unearthly. Anyway, just wanted to get that out (one of the songs came up on my CD player...) References: <http://www.google.com/search?q=richard+pinhas> none of these pages is very good and I can't find an official one <http://www.cuneiformrecords.com/bandshtml/pinhas.html> is probably the best. "Interface" and "Stand-by" <http://ax.to/fortune>.........a new fortune every minute. <http://FortNY.com>..................Forteans of New York.