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Yep. Introduced to Beethoven at 10, mainly because I was into Peanuts (besides being the only kid in school who could draw the characters), and Schroeder of course was Ludwig Von's devotee. When my parents bought the Time-Life Beethoven Bicentennial collection - all Deutche Grammophon, Berlin Philharmonic - I truly fell in love with that work. I can't sit and listen to the 6th without tissues, nor the 10th. Wagner's work speaks to me on a level I still don't understand, somehow encapsulating the feelings of people without requiring an operatic company to be there. If I ever get a chance to see the Ring again - I missed it when it came through in the early 1980s - I'll go with several handkerchiefs. (My mother-in-law says that this is being "simpatico".) It provided a basis for further listening to other classical composers, and when I got my first paper route money at 11, started buying not the classical stuff, which was too expensive - my parents got that stuff for me - but movie soundtracks. Some of it really interesting stuff. It developed my taste for what I term "situational music". Little did I know that, when I turned back in my 30s and began seriously listening to Mahler, Max Steiner, and forward to Jerry Goldsmith (I still like his stuff better than John Williams'). I love Samuel Barber's work, his 2nd movement of Adagio for Strings makes me weep. Most folks have heard it in the main soundtrack to the film "Platoon", and have thought that it was just part of the soundtrack (a step down for its use in my opinion, because it nearly rendered the piece into a cliche, thankfully not quite). The final night of the BBC Proms - a several month long program at the Albert Hall involving a huge array of music and talent - usually involves a lot of British flag-waving and singing of Good Old British Songs. This year it was scheduled for September 15. I don't need to tell you what happened that week. As a coincidence, for the first time an American conductor - can't remember his name - did the honors. They changed the entire program to be one of mourning, but not just that, reflection, and the program included the many old and new orchestral pieces, as well as the good old Adagio for Strings. It finished with the final movement of Beethoven's 9th, the infamous "Song/Ode to Joy", and the encore, as a bow to where the Proms of course were, was "Jerusalem", which truly sounds incredible when sung by the entire audience and choir, folks. Music heals, it transports, it helps us transcend pain and trouble in this world, and perhaps give us a hint of another. ----- Original Message ----- From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> To: <Loopers-Delight@loopers-delight.com> Sent: 24 September 2001 23:40 PM Subject: New Thread: Classical Music Influences on Us > > jim palmer wrote: > > "love bartok. > listen to the string quartets regularly." > > I'm glad to hear you say it. I love that music...........also the > exquisitely dynamic and melancholy 'Concerto for Orchestra'. Because of > it's dynamic range, it was the first piece of classical music that I was > glad to have a CD player for reproduction. > > > Also, it is more abstract (please pardon my loose definition, Tom ;-) > but have you guys/gals checked out 'Threnody for the Victims of >Hiroshima' > by Krzysztof Penderecki? > > > >