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Talking about Bartok, the Microkosmos set of short pieces for keyboard that Bartok composed for his young son were what introduced me to a "different" kind of classical music when I was 14, it opened a whole new sonic world. They are a perfect example of balanced miniatures and mixed influences. If you like Bartok's string quartets (I love them all) you may even like those by Janacek, Enescu, Martinu, Glazunov and Szymanowsky, although less known they all share a very special, deep and moving intensity. For those who mentioned Beethoven, what about the incredible pieces he composed for the fortepiano when he was given a first prototype to test? It is fascinating to hear what he did with an instrument that was expanding the colour palette available to musicians. There is an interesting recording by Malcom Binns on a Broadwood 1814 fortepiano. And for those who mentioned Charles Ives, I love the composition (can't remember the title right now!) that simulates the effect of four bands playing separate pieces approaching the town square from four different directions. The gradual overlapping and then merging of the four pieces is quite unique! Roberto