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>I notice an interesting thing with a lot of people as they get more into >----SNIP---- >anymore. Instead they think more about recording the whole process as >storage. yeah ... i think i thought saving just the "loop" part of a looping performance was important till i had a 'Plex for a bout a week. then, i wanted to record the whole experience. believe it or not, when i found out the 'peater had loop storage, my first thought was "oh cool i can set up delay rates _ahead_ of time" .... saving "snapshots" of performances was never something i thought of. so the big hullaballooo about the peater overdub bullshit didn't bother me in the least. >I listen to >electronic dance music all the time, even though I don't really do that as >a musician. Mostly it is a very composed style, created by people sitting >in front of computers, constructing very static loops that they mix >together in different ways to make a composition unfortunately that's the way it is now, with your standard Shitty Trance Spamming MP3.COM Artist. however, i have the pleasure of working with an old-school acid house guy who lives here in town alot, and he can really _play_ his (minimal) gear. i've never heard so much _sound_ come from a TR-909 and SH-101/TB-303 (slaved) setup. Eric Williamson www.suitandtieguy.com