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My feeling is that the loss of sound quality you get from recording the loop from the analog out of the EDP into whatever is minimal--the appeal of the Repeater is probably accessibility. It looked pretty cool . . . I'm into having loops stored but also recognize that the EDP does what it does extraordinarily well. EDP into the Repeater sounds like the best of both worlds. Which leads to my next thread reply--pro gigs. I am going back to San Diego after hanging here in LA for 9 months, and if there is anybody here making the majority of their income from looping, I'd like to hear about it before I leave next week. In SD I had two jobs (out of hundreds of gigs a year) in the last few years which were "loop jobs". The first was a background music job at Loew's in Coronado and the second a job at a hotel downtown where I forgot (!) my sequencer--this experience is in the archives--search for "baptism by fire". I am currently not seeking music jobs due to the relocation and how busy the business I started with my sweetheart is keeping me, but should start trying to "play out" upon relocation to SD. You know--the real work is booking gigs and promotion; "we get to play." Gary