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At 02:52 PM 10/16/2001, Per Boysen wrote: >> Maybe I've got strange taste but to me the EDP looks really "cool". I >guess mainly because the design is somehow "un-cool". I mean, it really >can't be sorted into any certain decade - it's simply timeless. Ok, it >could be something from the early eighties just because the logo text >says "Digital Pro", as if some "magic words", more important to drop >than other words describing what the unit actually does. Typical 80s that >is ;D Kim... > glad somebody properly appreciates that touch. :-) To me the name is >all about irreverence towards stupid traditions. I had a lot of fun with >it. The fact that we had the audacity to use the name "Echoplex" still >makes me smile. I love spearing icons like that. kim I spent a few moments really looking at my older Oberheim EDP last night and have to say it looks good to me! I like the little musical note next to 'Oberheim'... I kind of liked the Oberheim colors before the EDP. I remember Chris Muir had a 'blackface' one (not sure if he got to keep it... maybe you have it Kim?) which I liked more at first. But the fonts, legibility and functionality are right on. I can't figure how you'd get that much information on there and 'improve' it much. I've grown very used to the EDP as a looping 'icon'. It's awesome... now my quandry is that if I buy another one (which I'm sure to do eventually), I'll have a faceplate mismatch due to the newer Gibson logo. I'm sure I'd appreciate the more robust knobs Trace has added though. The EDP's fine... let's see that new s/w! -Miko