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"italoop@libero.it" wrote: > > Claude wrote: > > delay times of 9 X 1/4, 17 X 1/16 > > something as simple as: give me a 3 1/8 delay time on the right and 9 > > 1/8 on the left and 12 1/16 on the center all related to the clock > > its a very intuitive way to build up multitap delays sequences that go > > over the bar > > and there are delay ratios to the clock that cannot be obtained by the > > usual way (5,4,3,2 bars,dot whole, whole, etc....) > > > > Claude > > You can do the same thing with a different approach in Eclipse. Just a > matter of knowing your time signatures and polyrhythms subdivisions > better. > > best regards > Italo Italo I know y time sig and stuff its just that I cannot see how you would attain even with the extended values you described a delay time that is something like 3 quarter notes + a dotted 8th wich could _also_ be described in a DDelay soft as 51 x 1/16 the exact delay time (in msecs) being calculated from the DDelay tempo (midi clock or as a preset tempo) I like the strange "Canons" that can occur sometimes when you do setups like that and play to a 4/4 drum pattern that synces the delay time I think this would be a much more instinctive way to enter delay times by choosing the ref value (1/8 ,1/4, trip etc _and_ how many I want of them as my delay time; also, when you search for the right delay time by ear it would be more musical to scroll the delay times by increasing the nb of eight you want than go thru all the intermediate values you dont want to hear (on stage) Claude