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anti:clockwise wrote: > > trouble is, you'll only know by living with it in a variety of > situations for a little while, and even then - you'll need other mics > to form a basis for comparison. most mics exhibit coloration. hell, > that's why you choose them! is the coloration of a given mic working > for you in a given situation? can't tell you how often i break out a > couple of tiny, plastic mics i have that came with original-issue mono > cassette recorders (yknow, the mics with the "start/stop" switches on > em?) cause they have a certain, special sound. > > ok, not a very GOOD sound.... but when it's the RIGHT sound.... Hey, I just got done reading a pretty decent article in last months Electronic Musician about this very subject. And while I'm at it, one of the best cheap mic values I've ever come across is the $50 RadioShack PZM. If you come across one in your travels, pick it up. Mark