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For more detailed explanation, go to http://magic.gibson.com/index.html and you can read the entire specifications. This is a very serious 5-year project which has already cost many millions of $$$. I've worked with all members of the Magic team, and they are by far the smartest guys I've ever dealt with; and a great laugh as well. Henry uses the very best people to realise these ideas, including the lecturers at CiNMaT Berkley, which I've also had the privilege of meeting. This is really exiting stuff; I've seen demos which quite frankly, were unbelievable. One of our old friends, Adrian Legg, acoustic guitarist par excellence, has been out with a 5.1 PA system that I designed, all connected via 'Magic' and the results are amazing. Andy @ Trace. -----Original Message----- From: Allan Hoeltje [mailto:ahoeltje@best.com] Sent: 05 December 2001 18:20 To: Loopers-Delight@loopers-delight.com Subject: Re: VERY interesting article!!! The article wasn't too rich with detail but they made a big claim about no latency - this just isn't physically possible when converting low bass notes to midi. But converting analog to digital is no problem. So my take on it is that the main reason for ethernet on a musical instrument would be so the analog to digital conversion could be done on the instrument as the notes are played. This would mean every thing down stream from the player would need to be digital. Now I suppose the instrument could also generate midi signals (especially keyboards - no conversion necessary) and those could also be sent out on the net. But I believe that this is not so much a replacement for midi but a unification of analog and midi into a common digital transport. Overall a pretty cool idea. But I hope it doesn't leave poor teenage kids and their garage bands out in the cold. Then again what a market this would create for pure retro analog instruments, effects, and amps. -Allan on 12/4/01 5:46 PM, Mark Sottilaro at sine@zerocrossing.net wrote: > Could this FINALLY be the end of MIDI? I sure do hope so. > > Mark >