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I understand where you're coming from if you're trying to decide between the two units. Its a tough choice. And working with the two together? The possibilities are mind boggling, but for myself, I find I reach for one or the other, at different times. Maybe in a few months I'll overcome my option anxiety and try some experiments like Per has done. I still find that there are unexplored reaches in each box *alone*. (Harkening back to that thread on limits, there is something musical about having them) I have both and was going to sell my EDP (the RPTR is amazing!) but backed off, realizing that, as people have said: the EDP is better for live playing. esp vis a vis working with multiple loops; going from record straight to overdub; having many deep realtime options with immediate response. Great interactivity for improvisation where the EDP is like an ultra-responsive instrument, a mirror of your playing. But its only mono, and has no effects loop or storage... For me, Repeater is more of a 'composition' oriented machine with its multiple tracks and file system. Also its wonderful for DJ type stuff or 'post production' with its effects loop, pitch shift features, and ability to move phrases around on an individual track basis. I find with the RPTR I more often than with EDP take my hands off my instrument, in order to work the midi sliders and effects parameters. BTW having that effects loop is fantastic, and exponentially ups the ante for timbral and rhythmic exploration. Not to speak of the sounds obtained by lowering the tempo to 10 or so without changing pitch :-) Neil Goldstein Portland, Oregon