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>>>I do have one gear-related question though. I can understand the advantage of the glass fingerboard (brighter, better sustain), but how can this work in practice? Wouldn't it negate the effects of the trussrod? Isn't it fragile to travel with?<<< If I remember rightly, it is a bit of a bitch to travel with, and Ned has broken boards before now, but as I think he's the inventor of the system, he's in a position to carry spare boards and fix it! :o) it's certainly worth emailing Ned with more questions - the sound is fantastic. http://www.nedevett.com or http://www.fretlessguitar.com >>There's a French company that makes a fretless guitar with a metal fingerboard. Seems like that would be more serviceable for the traveling musician.<< That's what Franck Vigroux uses, and he has a great sound, though very different from Ned's sound. It's a Vigier, as has been mentioned. I tried one of their metal fingerboard basses and hated it, but the guitars sound fantastic. I'll stick with the Granadillo board on my Modulus 6... :o) I'm going into the studio with Franck in Paris at the end of this month, so there should be some stuff on the net after that... Steve www.steve-lawson.co.uk