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I just
need to make sure that neither diads nor triads have direction. I wouldn’t want to use them backwards. Lindsay sonic detritus: left of eliot http://leftofeliot.iuma.com -----Original
Message----- are you
referring to music such as perotin or gesualdo (a bit later)? in those
instances, the composer may have focused less on the outcome but wouldn't the
"lines/counterpoint" still be a function of the harmony, although it
may be incidental. i have a hard
time believing that the end result (i.e. the harmony) was happen-stance, not
that i disagree with anything that's been said; rather, personally i have a
difficult time understanding writing a "line" that doesn't take into
consideration the "chord" it forms with other instruments playing
different "lines". i may be
going nowhere with this. if so, please forgive. -jim |