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THE AMBiENT PiNG http://www.theambientping.com Every Tuesday Night - doors open at 9pm - 1st set at 9:30 @ club nia / C'est What - 19 Church St. at Front St. - Toronto 3 blocks east of the Union Station subway. map - http://www.cestwhat.com/map.html . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . This Tuesday May 14th 2002 - Planet Of The Loops This edition of Planet Of The Loops presents 3 veteran loopers. Kurt Swinghammer is well known as a singer/songwriter, an ace guitarist and a visual artist in a variety of media - but he is also an experimental musician and performed at the very 1st Planet Of The Loops concert in 1998. Guitarist Andrew Aldridge also performed at that first show as he is the founder of this floating ensemble of improvisers and an inspiring example of a looping performer. Trumpet player Wally Jericho has been a regular player with the Planet for years and was the first performer at The Ambient Ping in 1999. Don't miss this trip into the unknown with a well-seasoned crew. Wally Jericho - http://www.wallyjericho.com Kurt Swinghammer - http://www.swinghammer.com Andrew Aldridge - http://www.geocities.com/energymadeaudible/homepage.html Planet Of The Loops - http://www.geocities.com/energymadeaudible/planet.html Between sets - "The Spirit Molecule" Anomalous Disturbances Guitar-based ambient looping CD by Vancouver's Terry Obien. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Ambient Ping presents free live performances by Toronto's finest ambient, chillout and experimental music artists plus performers from across the continent, every Tuesday at club nia (aka C'est What) featuring a comfortable lower stage area, perfect for attentive listening, plus a higher level with a bar, back room and more seating that's great for conversation, good food and the club's impressive beer, wine and whiskey selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Coming May 21st 2002 - Sara Ayers and Mara's Torment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .