Support |
Steve, this is beautiful! I intended to control the piece by the volume of each of the singer's entries anyway (ie: I'll have indications of dynamics and distance from the mic in the music), so the gradual "diminuendo" of the the previous loop can be, as you say, a feature of the piece. I'm officially a looper. thanks!!! W.L. >Hey, this is pretty on-topic for loopers-delight. ;) > >Yes, the RC-20 functions as you describe. It >continues to play the loop as new dubs are added. >The dry signal is also passed through. The wet/dry >mix is usually controlled via a mixer, with the looper >on a send/return path. It is possible to use the >RC-20 by itself, ie plug the source and PA into it >directly, although I have never used it that way. >(by coincidence I'm exploring that topic, but more later.) > >I don't think you can change the mix, or the feedback >within the Boss. So, while there is no limit to the number of >overdubs, each time the older material gets a little >weaker. sorta like decay;) > With only a few dubs this is not too significant, >but you can make this a 'feature' by slowing evolving >your loop into something very different as the original >material fades out. > >Yours in rhythm, >Steve --