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i gotcha and I agree chris lane`-memory boxing ----- Original Message ----- From: "Stuart Wyatt" <stuart@solostring.com> To: <Loopers-Delight@loopers-delight.com> Sent: Friday, July 05, 2002 12:37 PM Subject: Re: Adding effects to a loop (was Re: Electrix/IVL petition) > On Friday, July 5, 2002, at 05:57 PM, Mark Sottilaro wrote: > > > Not trying to knock your philosophy, > > I was not trying to knock anyone else's philosophy either :) , just > trying to explain how my head works (at least for the moment). > > > but you say, "I dont believe in adding effects to pre-recorded loops, > > or altering them in any way afterwards..." Well, in a sense, aren't > > all loops pre-recorded? > > Er... I should type slower, and think more when I write.... I see > ambiguity in what I wrote... :( > > > Or do you, like myself, draw a line between loops that you're making > > during a performance (not pre recorded) and loops made prior to the > > performance? > > I draw the line at using anything pre-recorded. Everything that I use > loop wise is recorded live during the performance. > > > Here's why I ask. Adding effects via the Repeater's simple, yet > > brilliant, effects loop will alter your loop without changing what you > > played. Because you're improvising what you're putting into the loop > > (I believe you said you were in a previous post, correct me if I'm > > wrong), you've got no choice but to be influenced to play somewhat > > differently based on what you already hear in the loop, which is *not > > exactly what you played*. Then you take off the effect, and now you've > > got a loop that was created with a set of variables that is no longer > > there. So you keep adding, based on that. > > I understand what you are trying to say. For me, just using my electric > violin with a clean sound, and one looping device (DL4) gives me an > almost infinite amount of options when I come to 'paint' on the looping > canvas. I've tried adding effects, playing around with the sounds after > they are recorded etc. etc., but it just does not feel right. It overly > complicates something that is so purely simple... maybe pollutes is the > correct word... I dont know. Maybe a parallel can be drawn with Django > Rheinhardt (not sic - cant be bothered to look it up) - he was able to > produce amazing things on the guitar using just two fingers and a thumb > that people with 5 fingers cannot play. By keeping it simple in my setup > and rules, it allows me a greater freedom than if I had rack after rack > of synchronised effects units.... > > Am I making sense? > > > > > It's just an interesting and fun way to work with live loops, IMO. > > That added little chaos is a nice element, especially when looping > > alone. > > True. I've heard what other loopers on this list do with their music, > and it works for them.... sadly, it just does not work for me. > > Gotta go... I have my first night tonight playing with an > improvisational theatre group... and I've just realised I'm cutting it > fine if I'm going to get there on time. > > Later ;) > > > > -- > Stuart Wyatt - Solo String Project > http://www.solostring.com > stuart@solostring.com > >