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This isn't a direct response to this post, but i was thinking about the relationship between improv and looping. To me real-time looping and improvising go hand in hand. I don't know how everybody else feels about it, to recreate a composition w/ a looper takes all the fun out of it for me. Something feels weird about it. And improvisitional music by default isn't mainstream. So, who really wants write a hit that relies extensively on real-time looping, and recreate it night after night on a world tour? Not me...well..maybe *one* tour... Ernesto On Mon, 26 Aug 2002 13:07:37 -0700, "Andre LaFosse" <altruist@earthlink.net> said: > One big problem with "popularizing" looping is that there really needs > to be a visual and/or sonic representation of the process itself, in > order for the real-time aspect to be fully understood. Torn playing on > a Bowie or Tori album is great, but if people are just listening to the > end result, are they going to appreciate that the sounds they're > hearing -- ernesto schnack http://schnack.does.it -- The fastest email on the Internet! http://fastmail.fm - Choose from over 50 domains or use your own