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> > I think what it boils down to is this: Looping doesn't seem > > interesting to most musicians when explained or experienced. > > You've really just got to do it to love it. I could be wrong. > > I think this is true. This is why the addition of simple loop > functionality into devices like the DL4 will probably help the cause. > You buy it 'cause it's a great delay...you wind up loving looping and > may eventually want a more advanced tool for that. I think that's partly true, but a heck of a lot of people just can't seem to conceptualise what looping is. It's unbelieveable. It's not until they sit and see close up you hitting start and stop that they get any idea what's going on. A massively disproportionate number of my students have bought looping devices of one sort or another, and as a result are writing solo bass material, layering in their bands, practicing more etc. etc. and the majority of them wouldn't have given it a thought before their first lesson. They 'knew' about looping, having read interviews with Michael Manring or Victor Wooten or whatever, but not having seen it, they hadn't made any real connection. That's where video and clinics comes in handy - whenever I do a clinic, there's a pretty long queue of people at the end asking about looping... cheers Steve www.steve-lawson.co.uk