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The question is: are the loops trigged and "played" in real time? That's what I'm getting at. Frankly, if you're cutting and pasting phrases (pre recorded loops) of audio in ProTools, I would not call that looping, but it's still working with loops. If you've prerecorded your loops, and then present them in a way indicative of a performance, then that would still be looping, in my mind at least. So, if you loaded up your Repeater with a four track loop and then controlled their volume, slip, pitch, put effects on them, stop, start, whatever, I think we're in the same camp. I think there needs to be a delineation between working with loops on the fly, and using them in post production. Mark Sottilaro Goddess wrote: > Mark, but I personally don't do all of my looping in real time. -and > frankly, I'm not sure why people seem to need that distinction in what >they > do. I also don't do all of my looping with audio sampling either. I >also > use a sequencer for midi looping both in real time and prerecorded. > It's all "Looping" to me, and from the name, comes the emphasis on the > loops themselves in relation to the music in general, as part and source. > -just my thoughts of course, and thanks for the great posts... > > Smiles,