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 >the hackett/glennie set I saw was at qeh a few months ago, and 
was also improvised; though they >suggested in interview beforehand that it 
was specially composed, they went on to say that they were >going to play for 
an hour because that's what the contract said. all this in humour, of course, 
but it was >obvious that they were jazzing over a loose framework rather than 
giving a recital. thoroughly >entertaining, but hackett ought to move about a 
bit more. 
>I may have a half-decent minidisc of it somewhere.... and some 
jpeggery. I still can't believe she's deaf. >fabulous. 
>duncan. 
That was the same form 
of gig I was involved with, it's called 'Shadow'.  Your ears tell the 
truth!  The first part was composed, two or three pieces IIRC, the part on 
the marimba with Phil Smyth on piano basically.  The second 'half' was 
completely improvised, in our case we had to rehearse our wee 10 minute bit but 
the rest was off the cuff, I sat through one technical rehearsal, one dress 
rehearsal plus the performance and they were all different.  Hackett wasn't 
the most animated I'll have to agree but such beautiful fabric in his 
playing.  The improvised nature was too much for some in the 
audience who walked out, I think they were expecting her classical repertoire 
(which leaves me a touch cold unfortunately) but just because some good old 
backward-thinking Belfastians weren't ready for this doesn't stop me viewing 
this as one of the freshest things I've seen her do and I'm glad that 
exploration and innovation were heartily represented. 
I did a wee perspective 
of my part of the festival at http://rhythmweb.com/paul/festival2002.htm.  
We got the chance to hang with them in the hotel afterwards and Steve 
Hackett has risen 50 points in my estimation, such a nice man and tremendously 
modest.  Evelyn's Husband (for now apparently :) Greg, wrote a piece on her 
site that explains her hearing abilities and debunks many myths.  I do find 
it fascinating that she seems to have attuned sensations in different areas of 
her body to different frequencies.  I found the whole process and event 
very humbling. 
As an aside there was a 
German film crew who were following this performance around the world, recording 
all the rehearsals http://www.filmquadrat.de/gb/evelyn.htm if 
it ever gets released, watch out for the baldy N Irishman playing a huge Lambeg 
drum :) 
I'd love to hear /see 
any of the material Duncan, I got her permission to take some shots of the 
equipment stage side, but the film is still in my camera. :) 
Cheers 
Paul 
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