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another good little trick is to use chours, flanging or phase shifting and put a mic close to the amp, and another a few feet away. (you've got to experiment with the distance) and pan each signal hard left and right. When you get the distance right, you'll hear the shift pan. Mark Sottilaro "Taaffe, Denis G" wrote: > yeah!! that would work, but I would rather capture the actual stereo >sound, oh wiat..I was playing in mono hahaah...well, it would be cool to >bring 2 combo amps an run stereo,I play again the 23rd so I will try >that.....yeah I should spend tiem and master that stuff and see how it >sounds cool..... > > Denis > > denis Taaffe > denis@dtguitar.com > http://www.dtguitar.com > > -----Original Message----- > From: David Beardsley [mailto:db@biink.com] > Sent: Tuesday, November 19, 2002 10:46 AM > To: Loopers-Delight@loopers-delight.com; Douglas Baldwin > Subject: Re: another NEW live gig MP3!!! > > ----- Original Message ----- > From: "Taaffe, Denis G" <dtaaffe@indiana.edu> > > >...and this one was just mono , one mic up to the speaker of the > >combo amp, but I wonder what it would be like in stereo. > > Add a little bit of stereo reverb when you > record it on to your computer. > > * David Beardsley > * http://biink.com > * http://mp3.com/davidbeardsley