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don't get me wrong, i love my repeater and what it exclusively offers in the way of sync functions and "on-the-fly" waveform editing. my EDP just seems to have this seamless quality to it, and i'm convinced that there has to be some method of identifying which machine will be strong at which function depending on what method is used to create the over all effect (delay). is the EDP a "zero-crossing adjusted" loop machine, as opposed to the repeater which is, i assume, a "cross-fade style" machine like the method mentioned by Dennis in his post? i sort of assumed that the cross fade was responsible for the inconsistencies in the sine on the repeater. is there any way to adjust the crossfade so that "dip" is not as apparent, i didn't see anything in the manual about it, and i did look a little. understand that i use a consistent sine here as an ideal goal, but actually, my input is more dynamic and multitembral than that. ----- Original Message ----- From: "Mark Sottilaro" <sine@zerocrossing.net> To: <Loopers-Delight@loopers-delight.com> Sent: Wednesday, January 22, 2003 11:08 AM Subject: Re: delay chips and design > There is no pop at the loop point in the Repeater, but a slight "dip" > in the audio level, probably the sound of the cross fade working. Much > better than the "click" of the JamMan IMO. > > Mark Sottilaro > > On Wednesday, January 22, 2003, at 08:42 AM, Dennis Leas wrote: > > I suspect the Repeater's designers (who are really bright folks) just > > needed > > to tweak things a bit to eliminate the "pop." Unfortunately, time ran > > out. > > > > > > Dennis Leas > > ------------------- > > dennis@mail.worldserver.com > > > > >