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>with my loopers I then make my loop be entirely wet so that there is no >feedback potential with monitoring. > >You can then use mutes on something like a Mackie mixer and then use >headphones to monitor the initial sound. this helps a lot for the first layer but not much for the subsequent, because then the previous layers are increasingly colored through the monitors. How bad this coloring sounds depends a lot on monitor and mic quality and especially the room resonances. >what I have come to is to use a condenser microphone with an incredibly >narrow cartoid pattern (as found in the AKG C1000S for example) for all >instruments that are smaller (triangles, small shakers and any sounds >that I >call micro-phonic-------------much quieter than normal). I knew they sound well, but did not know about this characteristic. Thank you Rick! -- ---> http://Matthias.Grob.org