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If you can even get partial mixdowns of tracks, you'll get a better effect than just running everything through a surroundizer. Another alternative I would suggest would be to use the surround as 'filler' rather than trying to pseudo-'surroundize' the sound. That is, put a quieter, reverbed mix into the side channel speakers. Don't overdo it though :> bIz ----- Original Message ----- From: <sine@zerocrossing.net> To: <Loopers-Delight@loopers-delight.com> Sent: Monday, March 10, 2003 12:08 PM Subject: Re: OT: surround > If you run any stereo audio program though an analog Dolby Surround sound > processor, you'll end up with an approximation of surround sound. > Depending on phase relationships between the left and right channels, > frequencies will get put to the rear channels. It works pretty good for > some music, but I kind of feel it ruins some tracks. Check it out, your > mileage will vary. Most surround sound recievers will also have a kind >of > fake surroundsoundizer which is often called "theatre" or "hall". More >or > less the same effect. > > Mark Sottilaro > > David Myers wrote: > > > A composer friend of mine has created a very long piece of electronic > > music (4 hours) and I suggested that he might try to get it released as > > a DVD-audio only disc. He asked me about surround sound in this > > regard, and I must admit I'm in the dark. > > > > Does anyone know of a way to expand stereo tracks into surround without > > reworking them track by track (and I don't think his work really has > > multitrack to draw on), maybe something which could introduce varying > > ambiences, etc., without requiring months of work? It would just be > > nice to give his stereo stuff some more dimension if in fact he looks > > to produce a DVD disc. TIA... > > > > David Lee Myers > > Feedback Music at http://www.pulsewidth.com > > >