Support |
At 10:20 AM 4/16/2003 -0700, Squid Loop wrote: > > I'm curious: since you've got a couple of those MXL's, is the sound > quality > > and tone consistent from mic to mic? They sound like a pretty good >deal, > > but I don't want to have to go out and buy four of them in succession >just > > to find a single one that sounds decent. > > > > And I don't mind a bit of 'coloration' at all (heck, that's precisely >why > > you buy some mics), but what kind of sound sources do you find it works > > best upon? > >I would be the wrong person to ask about this since I >am known to use good to bad mics for whatever desired >effect I am looking for. Heh! Actually you'd be a pretty good person to ask, since I often do the exact same thing myself <*evil grin*>. If you've a decent idea on which source material it gives good results, though, you've probably got a pretty good start on how best to use it for whatever sound-mangling results you're trying to get. ;) >Consistency wise the two I have don't let me down. If >you mean consistently sounding good / decent - yeup >they keep to that between the two models I have. Kewl. I was just afraid there might be large differences in frequency response from individual mic to individual mic. The reason I ask is that, back in college, the instructor for my Studio Recording class stumbled onto the fact that the electret condenser element sold at Rat Shack was from the exact same source as that of a fairly expensive AKG mic -- the only difference was the quality control from mic element to mic element. He then showed us how it was possible to build a $450 microphone very simply from a drinking straw and $8 worth of electronic parts. He made quite a few of these (filled the bloody studio actually), and the only problem was that about every three or four mics you'd encounter an element with a whacked out response. At that point you could either solder on a new mic element, or mark that microphone for different uses (they'd occasionally have very "interesting" response curves). There's quite a difference between spending $0.75 for a new mic element and $75 for a whole new mic, however. (Later, Rat Shack wised up and started putting out their own condenser mics using that same element -- and with even worse QC -- for about $10 a mic. This time, you'd get only about one really good microphone out of every two or three but, again, a $450 mic for $30 is still a steal with no soldering involved.) So, I wanted to make certain that the two MXL's of yours didn't sound wildly different from each other, especially since MF is mail-order and there's no chance to actually audition the mic you're taking home. It sounds as if they're fairly consistent between themselves, so I'll quite probably just go ahead and take the plunge. Thanks! -c- _____ "i want to reach my hand into the dark and *feel* what reaches back" -recoil