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> >He had a big disc with sound waves drawn on it in the same > >way that movies use an optical soundtrack. > >This allowed him to speed up a loop so much it eventually became > >a tone ( not easy to do well even with digital editing). > >A much greater range of pitch than possible with tape loops. > > Where did you get that information? > > According to Stockhausen, in Texte IV, p. 365: > > "...there were loops running everywhere, and you could see it through > the glass windows between the studios. Finally I used the > fast-forward on the tape recorder to accelerate the tapes so they > were already four or five octaves up, then the result went up another > four octaves - so then I was up eight octaves - until finally I got > into an area where the rhythms were heard as pitches and timbres." > -- sorry Richard, don't have a ref. for that, and as Norwich Library burnt down a few years back don't think I'll ever find it :-( I reckon that the section in Kontakte sweeps down about 7or 8 Octave (near start of second track on CD) and when it reaches a pulse of about 2 Hz . It does so continuously and smoothly. That would be consistant with the use of the wheel device. ...or a specially modified tape deck(i suppose) Maybe I heard/read the description of the device and made the wrong connection, but I'm sure I heard of it in connection with KH, and it's certainly the "sort of thing he would have had" As a looping device I think it's pretty cool. andy