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--- jimfowler <jimfowler@prodigy.net> wrote: > you're gonna have to drill this into your drummers > head because he's used to being the one who picks > and maintains the tempo, but now that you're > looping, YOU ARE THE METRONOME. Maybe generally, but I don't think it needs to be that rigid. As long as the tempo is steady, I don't have a problem with timing unsynched loops to another musician's playing. (I have more difficulty convincing other musicians not to do spontaneous, sudden KEY CHANGES when there's a nice multi-looper drone going because I can't follow it with one simple button push; it's a recipe for a trainwreck!) One trick that works well with the Headrush for following another player's timing is to record a loop of silence right on their beat. Then when you're overdubbing onto it, the timing aspect is already taken care of and you can focus on playing. This can be done with other models of loopers as well; the one Headrush-specific drawback is that you can't do the right-button take-it-back-to-the-original-layer trick. (Well, you CAN actually, and it does retain the timing, but it's silent! That can work well for dramatic changes; it's what I did on 'Hip Check', track 54 at <http://www.music.columbia.edu/%7Ececenter/mhl21/ct/ct_75/ct_75.html>. That's not a punch-in. The original title was "Jimmy Page Runs Up and Hip-checks Robert Fripp Off His Little Stool"...) -t- __________________________________ Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! http://sbc.yahoo.com