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Hi everyone! First, a brief introduction -- my name is gene, and I'm in Portland, Oregon, USA, Earth. I'm primarily a guitarist, though I fiddle with keys and mandolin as well. I've been lurking on this list for a couple of weeks, and have been quite impressed with both the signal-to-noise ratio and the quality of the discussion (you all seem to be a thoughtful, helpful bunch). My looping is still in a pretty embryonic phase -- I've played guitar and mandolin in a variety of (mostly rock, some bluegrass) groups over the years, and became drawn to loop-based music when I started spinning records a year or so ago. I had an RC-20 for a little while, till I discovered Ableton Live (is anyone else on this list working with Live?), the capabilities of which are worlds beyond the Boss pedal. My loops have been mostly guitar and percussion so far, but I've begun using Propellerheads Reason for synth sounds in conjunction with Live, and the results have been pretty good so far (Reason and Live go together like peanut butter and jelly). I'm doing all of this on a laptop with a 4-in-4-out+MIDI USB audio interface, so even though I end up a little cable-happy, it's still a managable gigging setup. I imagine if I'd been more into harware synths before getting into this, I might be reluctant to go this route, but so far, it's been great. If anyone's interested, I'd be happy to offer some more in-depth thoughts on Live. For now, I just wanted to add my $0.02 on the whole drummer-tempo-sync thread. First off, I've found playing with Live the best rhythm training exercise I've ever had. I've isolated a click in Live on the monitor channel, and until things get sufficiently going on a particular loop, I'll check in on the click every now and then to keep things in sync, and once something fairly rhythmic has been established, I'll more or less abandon the click. I definitely feel like my timekeeping has improved in the short time I've been playing this way. I had a bit of a coming out last night when sitting in with a friend's band at a party -- once the band had finished their set, I did a little looping for the late-night crowd, and it seemed to come off quite nicely. Intrigued, the drummer from the band crept behind his set and started playing along. At first, I could see some frustration on his part at having to sync to the machine's tempo, but he made an effort to listen, and it really came together. I decided against offering him my second set of headphones for a click, since he seemed to be doing fine without it, but this seems like a logical step. Any non-click-averse drummers reasonably close to Portland who happen to see this and feel like jamming, feel free drop me a line. OK, enough rambling. Nice to meet you all! cheers, gene