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At 7:41 AM -0700 7/16/03, Relay wrote: >How many delay units in series (one into another, as it were) are you >folks >using? I'm currently splitting the stereo outputs from the "A machine" of an Eventide Orville into the inputs of a pair of brother-synced EDPs and into input one of a Rane SM-82 mixer. The outputs of the EDPs go into another channel of the Rane. There is an Electrix Repeater in the stereo effects send/return of the Rane. With a little planning, I can get three independent stereo loops going. I can pour the output of the Orville into either the EDPs or the Repeater, or I can pour the output of the EDPs into the Repeater. This means that if I put all these things in series, I could have 87 seconds from the Orville, 198 seconds from the EDPs, and 240 seconds from the Repeater. This works out to 8:45 all in glorious stereo. It's an embarrassing amount of gear to throw at making Righteous Racket, but it sure is fun. Chris p.s. I forgot to mention the 40 seconds that the Orville has in each of its A and B machines for general purpose delay, reverb, chorus, etc. use. Oh... my guitar amp has a spring reverb, too. :-) -- | In theory, there is no difference between http://www.xfade.com/ | theory and practice. In practice, there is. cbm@well.com | - Jan L.A. van de Snepscheut