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Hi Travis, I saw Phil last February and he blew me away. I had never heard of looping before as a serious art form and so I expected just a standard concert. I was amazed at the massive walls of sound he created, and right then and there I thought to myself "Hmm...I can do that..."! I waited a while because I knew I'd be leaving my band soon, and then about 3 weeks ago I bought a Boomerang. Simple but effective. I'm having a great time learning how to loop verses & choruses in my acoustic set so I can play solos on top of the chords. I'll have to check out "Freehand". I hadn't heard about that one. Thanks for the report. Brian > I saw Phil Keaggy play last night, and that guy's a looping monster. He was playing amplified acoustic, and started off most tunes by quickly building up a grooving "drum" part by tapping and slapping the body of the guitar, often adding a shaker part by waving one over the soundhole, where the internal mic could pick it up. And then, he was off--singing, playing, overdubbing, recovering quicly and gracefully from any mistakes (forgotten lyrics, switching hiccups, whatever). It's a cliche, but he's a one-man band up there. Looper's appeared to be a JamMan and DL4. A highly recommended performance, unless you've got a serious aversion to Christian lyrics and a bit of between song prosyletizing. > > I remember a thread a few months back about building up a list of essential looping recordings, and his name came up but no-one seemed to be familiar enough with his extensive catalog to highlight the loop-heavy material, but if you're interested I'd suggest Acoustic Sketches, which is all instrumental with oodles of JamMan and liner notes for each tune by Phil detailing tunings, JamMan use, etc. It's from 1996, and he's progressed WAY beyond that now, but it's still a good example. He's also got a new all-guitar album (Freehand) which I haven't had a chance to listen to yet, but I suspect it's also got a bunch of looping since it seems to be a big part of what he's up to now. > > TravisH