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Well I'm glad somebody can keep track of this stuff I wonder whether the Red FTM ha had was custom or some sort of model change? Thanks S -----Original Message----- From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net] Sent: Wednesday, January 07, 2004 4:45 PM To: Loopers-Delight@loopers-delight.com Subject: Re: King crimson stuff here is a quote from Guitar Player jan.'84: AB describing his onstage/studio equipment p.80- ...number 3 is my Foxx[Tone Machine]fuzztone. That's the sound in "Big Electric Cat" and "Paint the Road". "i always use it w/ the high octave sustain switch on. its my favorite effect, and not an easy one to find these days. i'm also daisy-chaining the Foxx-tone into an MXR 10-band graphic equalizer so that i can eq it." i know i'm getting into minutia here but AB is/was a great looper guitar guy,so... s > I had always been under the assumption that he got the octave sound > out of the GR300 myself but, since someone brought up the possibility > of the Foxx Tone Machine. I got to thinking that it could possibly be > that or maybe he just conciously or unconciously modeled his GR patch > around the FTM sound or something like it. The tune I was thinking > about was Paint The Road from Twang Bar King. > > Thanks Guys > Another Belewaholic ;D > > -----Original Message----- > From: David [mailto:vze2ncsr@verizon.net] > Sent: Wednesday, January 07, 2004 3:29 PM > To: Loopers-Delight@loopers-delight.com > Subject: Re: King crimson stuff > > > At one point in the early 80's, and memory fails me when exactly, AB > had an Ibanez HD1000 Harmonizer Harmonics Delay. I remember talking > about it with, and buying one from, Reeves Gabrels when he was working > at Wurlitzer on Newbury Street back in 1986. > > The Roland GR300 of that era also would create pitch-shifted tones +/- > octaves > > And then AB also is a superlative slide-guitar player, and he would > often go beyond the fretboard. > > I hope that helps. > > David Kirkdorffer > > ----- Original Message ----- > From: "Alan Kroeger" <nospam@developsolutions.com> > To: <Loopers-Delight@loopers-delight.com> > Sent: Wednesday, January 07, 2004 3:11 PM > Subject: RE: King crimson stuff > > >> Red? Hmm!, the one I had in the 70's was blue (maybe there was >> another version or it was customized) but, I did love that thing (it >> still had a slightly ugly fuzz sound) the octave thing was cool (wish >> I still had it $$$). Do you think that was what he was using to get >> those sounds on Lone Rhino and/or Twang Bar King? I ain't much for >> persuing those trivia details ;D >> >> Heres a pic the same as the one I had >> http://www.tonefrenzy.com/2/images/gear/fox_tonemachine1%20copy.JPG >> >> I might have to think about duplicating this on one of my DSP boxes >> cause > it >> is cool sounding. >> >> Some circuits that supposedly replicate it >> http://www.runoffgroove.com/ftm.html >> http://www.generalguitargadgets.com/ftm.html >> >> >> >> -----Original Message----- >> From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net] >> Sent: Wednesday, January 07, 2004 2:40 PM >> To: Loopers-Delight@loopers-delight.com >> Subject: Re: King crimson stuff >> >> >> hey bein a belewaholic since the 80s maybe i know... >> every interview in print that i have from the days of elephant talk >> adrian talks about his 'foxx tone machine' for those upper octavee >> thingees-it works like the roger mayer 'octavia'-fuzz plus octave. >> and its red and > fuzzy >> :-) >> s >> >>> No Harmonizer - He just uses the guitar to really get up there - you >>> should try to locate the Live in Mexico official bootleg - he does a >>> killer high pitched distorted feedback squeal solo on "Three of a >>> Perfect Pair" - and if you can find the old video he made in the >>> 80's you can see how he gets a lot of his sound with minimal effects >>> although his rack at that time was the size of a fridge :) >>> >>> -----Original Message----- >>> From: L. Angulo [mailto:labalou2000@yahoo.com] >>> Sent: Wednesday, January 07, 2004 6:18 AM >>> To: Loopers-Delight@loopers-delight.com >>> Subject: RE: King crimson stuff >>> >>> hes obviously also using some sort of harmonizer to >>> get those really high pitched notes but what intrigues >>> me is that you cannot hear the artifacts you usually >>> hear from such devices >>> louie >>> --- Glenn Poorman <glenn.poorman@autodesk.com> wrote: >>>> I think that second solo is pure guitar with some >>>> good >>>> fat distortion and compression. >>>> >>>> Glenn >>>> >>>>> -----Original Message----- >>>>> From: L. Angulo [mailto:labalou2000@yahoo.com] >>>>> Sent: Wednesday, January 07, 2004 8:39 AM >>>>> To: Loopers-Delight@loopers-delight.com >>>>> Subject: Re: King crimson stuff >>>>> >>>>> Thanx Caleb >>>>> Yes i am aware that they both used Roland synths >>>> and >>>>> in Elephant talk is really clear the synth solo >>>> from >>>>> fripp but the second solo is the one that >>>> intrigues >>>>> me... >>>>> Cheers >>>>> Louie >>>> >>> >>> >>> ===== >>> www.luis-angulo.com >>> >>> __________________________________ >>> Do you Yahoo!? >>> Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes >>> http://hotjobs.sweepstakes.yahoo.com/signingbonus >>> >>> >>> >>> >> >> > >
