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dan, et al i'm a little late getting in on this, but thought i'd still throw my hat in the ring. i do both live sound and live video improvisation - occasionally both at the same time - and have used improvisation at the root of most of my work over the past 20 years. when i'm playing live what i generally do is prepare an outline of what i will do at a show; set up a patch, devise a technique to explore, map out a tonal territory, etc. i may stay within those bounds or strike out into the unknown when the event happens. when i do things in the studio, i do a similar process, explore the direction i want to go, improvise and record, take elements of those recordings and add more layers or process and manipulate the elements. i do this for both video and audio. for many years i composed music for choreographers, where i often had to work with counts or beat charts, so i found ways to adapt my process to those needs. every project is a different problem, with a unique solution. cheers bruce