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I have been playing lap steel in a variety of tunings for many years, and I too employ the faux pedal steel technique of reaching behind the bar and pulling a string sharp, that Bruce mentioned. Its pretty difficult if you use heavy gauge strings like I prefer, so you might try this technique with a slightly lighter set, to begin with. Another cool technique that achieves similar results involves diagonal bar placement to create suspensions. Bob Brozman is a master at this. Try it on adjacent strings (like the 1st and second, or the 2nd and 3rd string in a DGDGBD,OR DGDGBbD tuning). The great thing about the lap steel is you can get started so cheaply. Another cool moderately priced one is the Chandler, however, be wise and pay more for the humbucking pickup model, as the single model sounded a bit shrill and noisy, particularly for the signal processing freaks amongst us that deal with accumulated signal path and gain stage noise. A Few years ago I bought a chambered body lap steel made by Bill Asher, a Ben Harper Model. These are expensive these days and I got it relatively cheap, but this is an amazing sounding guitar for the serious player who perhaps has owned good vintage laps (Ricky, National, Fender) but found them to unreliable and finicky for live playing. Like every instrument I own, I had to sell some other instrument to be able to afford it. hey Kim, is this off topic enough for you? he he Bill