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On Aug 16, 2004, at 7:28 PM, Neil Goldstein wrote: > > In a sense a single well thought out midi clip in Live can act as a > macro. That's a good definition! A MACRO. Rick Walker told me that Claude Voit actually did this long ago with an EDP and some pre Live 4 midi sequencing software. > Each Live midi clip can have a different simple or elaborate series of > actions. This really is a compelling way to work. Keeping it simple and > modular you can perform any combo of these at any point or prearranged > in line with a song's arrangement. yes! Live 4 is better than any midi sequencer because it is so easy to assign any midi foot pedal to trig a midi clip in Live (that tells your EDP what to do with your resent audio input). Myself I'm thinking about using it to "perforate" a loop with short quantized SUS-inserts of a very percussive character. Different patterns that are too fast to tap in real-time with one foot. You might be able to create a "drum beat" in just two overdubs: First play one long low note (kick drum frequency) and then press the pedal for "launch Live midi clip for EDP SUS-insert "hihat-ish pattern") and play a long note in a high register. > One of the benefits of this is that you don't have to have the EDP sync > to Live's clock Yes, you can of course run Live 4 synced to the EDP. It will follow any HalfSpeed or Multiply-Record action through the tempo changes. All the best Per Boysen --- http://www.boysen.se http://www.looproom.com