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I think it has a lot to do with attitude, expectation and things that can be overwhelming and eventually inhibiting. I can recommend this book which deals exactly with these issues: Kenny Werner: "Effortless Mastery". http://www.amazon.com/exec/obidos/tg/detail/-/156224003X I've been told this is good, too: Stephen Nachmanovitch "Free Play". http://www.amazon.com/exec/obidos/tg/detail/-/0874776317/qid=1100644976 Haven't seen it myself. Bernhard -----Original Message----- From: ArsOcarina@aol.com [mailto:ArsOcarina@aol.com] Sent: Dienstag, 16. November 2004 22:36 To: Loopers-Delight@loopers-delight.com Subject: Re: Left-handed Compliments From Off the Wall Well, er . . . thanks! The two half-day sessions it took to record were a high point of my musical life that I am still trying to recapture fragments of somehow -- one of those rare instances where you leap from the cliff edge and miraculously find yourself flying. That it happened on two consecutive days in a row is a buoying thought that gives me hope it will happen again someday. People have continually said some really nice things about it. This tends to confirm to me the idea that something different (from normal) was happening at the time. But, it seems almost as inappropriate for me to wholly take credit for it as it would to take credit for a sunset or a rainbow. I know that's got to sound really, really odd. But that's the conviction I have. It (the music in those 10 improvs) frankly seems to have been coming from a place (within or without) that I have no control over and cannot conjure on demand.