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I've done a lot of live looping with dancers, and my experience is that they don't really *listen* to the music, it just happens while they do their thing. Really. Maybe they're responding to it on some subconscious level. I've gotten the impression that asking a modern dancer to synchronize to music is received with the same enthusiasm you'd encounter when asking a poet to write something that rhymes. This is not intended as a slight on dancers. Or poets. I also did a live soundtrack to a silent movie (Aelita: Queen Of Mars) that featured a lot of looping, in a trio context. It was a tremendous amount of work. TravisH >Date: Tue, 23 Nov 2004 08:04:30 -0700 >From: "Krispen Hartung" <info@krispenhartung.com> >To: <Loopers-Delight@loopers-delight.com> >Subject: RE: Loops curative/restful powers >I think an interesting, and experimental loop music/dance production >would be play a loop, have a modern dancer come out and dance in sync to >the part and continue to loop that dance part...then you layer another >loop part, and another dancer comes out to dance in sync to that as >well...and so on until a soundscape of loops is created with several >dancers doing their "dance loops"...a union of musical and modern dance >looped choreography.