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Looper's Delight
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I can only turn my VORTEX input to maybe 9 o'clock
because the input is so sensitive. And that is after a compressor/limiter
and two line level delays.
Pity too. The VORTEX sounds soooooo good when
it gets a full signal. But the digital clipping sucks when the signal is a
little too hot.
Huh? I've used Vortexes for quite a while. And Yes, while I do have to turn down the input on the thing (to about half) so it's not over-driven, I seldom have any trouble with distortion. I run the thing right after my multi-effect/preamp fed by the former's direct output. Could there be something wrong with your specific Vortex? Or . . . have I just been lucky? I own two and run analog guitar sounds through one and guitar synth sounds through the other. Best regards, tEd ® kiLLiAn http://www.pfmentum.com/flux.html http://www.CDbaby.com/cd/tedkillian http://www.guitar9.com/fluxaeterna.html http://www.garageband.com/artist/ArsOcarina http://www.towerrecords.com/product.aspx?pfid=2845073 http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, and Viztas. Yadda, yadda, yadda, blah, blah, blah. So??? In the mid-18th century, the Maillardet brothers created an astonishing robot writer-draftsman that could write poetry and do amazing drawings of ships and buildings. Around the same time, Jacques de Vaucanson created his infamous mechanical defecating duck, which could eat, digest and all the rest. Furthermore, he also created a flute-playing musician android, which offered 12 tunes it could play to quite pleasing effect. |