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On Dec 29, 2004, at 17:29, Richard Zvonar wrote: > Put Your Voice Where Your Mouth Is > By GARY GIDDINS > For decades, even live music has come mostly canned. > > http://www.nytimes.com/2004/12/29/opinion/29giddins.html?th Very interesting article. Thanks for posting! It brings up a lot of thoughts. When doing tours and tv shows with lip-sync (as well as guitar-sync or sax-sync) I was surprised to find out that it is actually harder to perform a tight lip-sync than to play/sing the piece live! I think people that have the talent to "pretend" should get credits for that, not for "singing" or "playing", since "pretending" is an artform of its own right. It's just too bad that this perspective is catching on so slowly. I mean, what is "multimedia" if not a way an extremely advanced way of "cheating"? ;-) However... Personally I'm a big fan of improvised, on-the-fly or otherwise unpredictable musical performances and I always care to point out what is really happening when I'm doing such gigs. Just to make sure the audience doesn't think some parts were pre-recorded (or "pre-composed" if you want to go really impro). Speaking of how the public look at performers, I think you tend to become badly biased from being a musician yourself. I remember once sitting together with some friends, non of them being an active musician, and watching a band on the telly. Everyone said they hated the singer. I said he was ok, since I thought he sounded quite okay. But when we discussed it a bit more I realized that the others were not really talking about his singing, they were just put off seeing him move his body in the same way as Bryan Ferry does when singing. This I had not noticed at all - couldn't care less, really ;-) Greetings from Sweden Per Boysen --- http://www.looproom.com (international) http://www.boysen.se (Swedish site) http://www.cdbaby.com/perboysen