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I'm using the Panasonic DA-1 portable DAT recorder. It has been trouble free for almost 10 yrs. sp/dif in from a Yamaha 01V96 with auxes 3&4 as the post fade record stereo buss. This way I can setup some mics to pickup the ambient sound and not send them to the stereo buss, which feeds the PA. These days I would avoid DAT because it will soon be obsolete. MD always sucked and always will because of the data compression scheme. The little Edirol is awesome, but has no digital input. It does sound good and I might have to get one anyhow, and go analog when I need a mixer. Maybe a competetor will appear with a sp/dif in. A portable CD recorder still sounds like the best way for now. Henry goddard.duncan@mtvne.com wrote: > >>I'm curious as to what stereo digital recording units others are > using to record their live performance off the soundboard. I'm currently > using a Sony Minidisk MZ-R70[snip] I'm thinking of a DAT recorder, like > the Panasonic SV-3700 or SV-3800.<< > > kris- forget about DAT. it sucks. don't get me wrong- they sound great > when they're behaving themselves, but for reliability, especially on the > move.... you're better off with the MD. if you can get hold of the blank > media for them (which we in the UK have had to wait for until this > week), there's a version of MD that can record 90 minutes uncompressed > onto a 1Gb blank. it eats batteries though. > > otherwise- if you can afford a DAT portable, chances are you could > stretch to a reasonably portable CD recorder. I have a denon 1/2 width > (midi hifi) unit that's served well in the rehearsal room. there's a > "proper" pro portable machine by HHB for about £800 & I think marantz do > a couple in this sort of price-range. > > just my 2c worth. > oh, & if you use the line input of the sony, I'm pretty sure it's a > fixed level rather than the agc that you get on the mic inputs. I may be > wrong.... I have made albums from MD recordings too- they're pretty good > at not recording the background noises, as atrac compression works by > exploiting some psycho-acoustic effect that's the same as what y'r > hearing does. so an album you know very well will sound weird on an MD- > remixed, almost- but a live recording sounds like what you remember, > with all the bar-noise & chair-scraping magically absent. > > duncan. > > > > >*************************************************************************** > CONFIDENTIALITY NOTICE > > The contents of this e-mail are confidential to the ordinary user > of the e-mail address to which it was addressed, and may also > be privileged. If you are not the addressee of this e-mail you may > not copy, forward, disclose or otherwise use it or any part of it > in any form whatsoever.If you have received this e-mail in error, > please e-mail the sender by replying to this message. > > It is your responsibility to carry out appropriate virus and other > checks to ensure that this message and any attachments do not > affect your systems / data. Any views or opinions expressed in this > e-mail are solely those of the author and do not necessarily > represent those of MTV Networks Europe unless specifically stated, > nor does this message form any part of any contract unless so stated. > > MTV reserves the right to monitor e-mail communications from > external/internal sources for the purposes of ensuring correct > and appropriate use of MTV communication equipment. > > MTV Networks Europe > >***************************************************************************