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I haven't check out the Grip, but I think I'm finally getting the sub-bass on the Akira under controll. I'm using the Behringer line mixer/splitter now to split the AUX out of my Mackie, then I come back to the board with four of my stereo effects, including the Akira. I tweaked the low end EQ and trim settings of the Akira channel so it redlines less. I still might put a limiter on it, though...if I get excited and pluck a low guitar string too hard...red lines go on everywhere. I love the sub-bass patch on the Akira, however....it is so much different than a traditional octave effect....very smooth, deep, and non-descript. It's kind of hard to tell whether it is dropping an octave or two lower. The Akira does have some decent control of the effect in its parameters as well: sub-base level (like mix), multi-band limiter threshold (adds sustain), and low cut (determines which frequency to add the sub-bass effect) Kris -----Original Message----- From: Mech [mailto:mech@m3ch.net] Sent: Tuesday, February 08, 2005 10:36 AM To: Loopers-Delight@loopers-delight.com Subject: Alesis Akira/Grip and Sub-Bass (was RE: Ineko for sale?) At 08:43 AM 2/8/2005, Krispen Hartung wrote: >Speaking of sub-sonics, the Akira has a sub-bass patch that I use for >bass simulation....but is is savage and almost impossible to controll. >If I put it before any effect, it redlines it, if I put it after, it >redlines the board, just by applying the super low frequencies. It is >a wonderful sound, and the last I used it live, I was able to really >move the earth, even with my acoustic guitar. Basically, I'm going to >dedicate one of my compressors just to the output of this unit. Krispen, Have you looked at the Alesis Grip? I haven't played with one myself, but in looking through the manual it seems to be a dedicated unit built solely around the same sub-bass algorithm as the Akira. It does have quite a bit more controllability, however. Might be worth checking out if you're not so crazy about dedicating your Akira plus one of your compressors solely to managing your bass frequencies. --m. _____ "i want to reach my hand into the dark and *feel* what reaches back" -recoil