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I do not see the point in extracting information about casual relationships from small-number statistics, especially if they're not done right. There are two names which are still current, KC and Floyd. One of them has issued a double album, the other one hasn't. So I do not see any relationship here. For me, the question holds why the current group of Robert Fripp still has the same name as the late-sixties group of which Fripp was a part, the seventies group of Fripp and the eighties group of Fripp. Following the reinstallment of the KC name in the nineties, Fripp has written very elaborately why this group was - again - named King Crimson. Other people suggested it had more to do with financial losses suffered by Fripp just before King Crimson reappeared. I like some of their eighties stuff, I like some of their nineties stuff. But I don't think it's King Crimson. -----Ursprüngliche Nachricht----- Von: David Kirkdorffer [mailto:vze2ncsr@verizon.net] Gesendet: Samstag, 5. Februar 2005 01:30 An: Loopers-Delight@loopers-delight.com Betreff: Re: OT ELP/JP (rip) Technically, the Young Person's Guide to King Crimson was a double album, but I see your point. Perhaps the fact that KC didn't issue a double album ever is really a positive thing. Afterall, they are the only name that still is current (aside from Pink Floyd) from among that stable of peers. ----- Original Message ----- From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de> To: <Loopers-Delight@loopers-delight.com> Sent: Thursday, February 03, 2005 5:25 PM Subject: AW: OT ELP/JP (rip) > I used to dislike any kind of organ use in rock (or jazz) music. Then > I listened to Tarkus to the first time...the beginning of the organ > solo in "Mass" seemed unreal to me - this sounded like someone > starting to puke! I may not say this album has changed my life, but it > definitely changed my live sound! > > I once started to write an essay about the progressive rock > phenomenon, and there I stated the thesis that each of the big groups > of this genre in the seventies reached their climax with their double > (or triple) album. For ELP, this was the "Welcome back my friends" > album, for Yes, the "Yessongs", and for Genesis, it was the Lamb. > > Alas, there hasn't been a double album by King Crimson (if you don't > count in the B'Boom "officialized bootleg") > > And btw, in case you haven't done so already - "UP" by Peter Gabriel > is a great album (albeit not a proggy one). I want to own his staff of > engineers for a day... > > Rainer > > -----Ursprüngliche Nachricht----- > Von: Jesse Lucas [mailto:jlucas@neoprimitive.net] > Gesendet: Donnerstag, 3. Februar 2005 22:01 > An: Loopers-Delight@loopers-delight.com > Betreff: Re: OT ELP/JP (rip) > > > ELP was the shit. Tarkus changed my life. > > Some of the later stuff was...well...just wrong. Love Beach? This is > the same guy who played on In the Court of the Crimson King and > Tarkus? > > Oh well. > > Still, what they did that was good, was really good. > > Emerson's organ sound on the first two albums is the best. > > -J > > > > Suit & Tie Guy wrote: > > On Feb 3, 2005, at 12:40 PM, goddard.duncan@mtvne.com wrote: > > > >> they were a technically-accomplished trio, but quite lacking in any > >> creative sense-of-purpose or direction, & they managed to alienate > >> many peers in the business with their in-jokes & technical > >> excesses. > >> > >> & thus peel described ELP as "a waste of /talent/ & electricity". > > > > > > even put into perspective, John Peel's comments were completely > > unfair. > > > > --- > > Eric Williamson > > www.suitandtieguy.com > > > > >