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speech recognition (practical use, not research) is my day job. if anyone has real need of this type of thing (ie, you can't use your hands), i am happy to offer advice (and available for consulting). deknow ----- Original Message ----- From: "Jeff Larson" <Jeffrey.Larson@Sun.COM> To: <info@krispenhartung.com> Cc: <Loopers-Delight@loopers-delight.com> Sent: Sunday, February 20, 2005 10:20 PM Subject: Re: Voice recognition > Krispen Hartung wrote: > > Off this topic, has anyone explored the concept of voice > > recognition-activated MIDI switching? You could wear a head set or cell > > phone-like mic that connected to the computer....when you said, let's > > say, "Ring Mod", the computer would recognize the command and make the > > MIDI change to your rack gear. > > This has been a holy grail of man/machine interfaces for a long time. > Much progress has been made, but they still tend to be a bit quirky. > I'm not familiar with any products specifically for musical use, but of > the ones that I've seen, you have to have a clean quiet signal and > e n u c i a t e v e r y c l e a r l y. Most systems require "training" > where they make you speak a few words or phrases in order to analyze > the characteristics of your voice. Once trained, they can only > recognize a similar sounding voice. The difference between male and > female (pitch) or between healthy and sick (timbre) will confuse it. > When performing live, you have the added complication of sound bleed > from other sources. > > I'm sure there are pieces you could hack together that under the right > circumstances would work. But I'm not aware of anything that is > packaged and optimized for use by musicians. Even if there were, > it would still be unreliable unless you could ensure a pristine > signal (i.e. no stage microphones). > > In practice, nothing beats a dumb old foot switch. > > Jeff >