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The ideal situation for me would be to be making enough to be able to pay a tech to take care of the gear,maybe have a custom made system like Mickey Hart's RAMU,where all the sounds I want are organized in data banks that I trigger from controllers of my choosing ,in Hart's case percussion pads,and the tech runs the computer system and rides the output through the PA and monitors. I like the window metaphor,though for me the notes are the windows.I often feel more like the structure is the frame,the air is the canvas the ax is the brush and sounds are colors I'm painting with