Support |
Travis wrote: "Rick has been an advocate of promoting these events as "live looping", and if it helps, then do it, but I'd hate for someone trying to find somewhere to play to think that they have to find a "live looping" venue instead of just a venue open to their music." Hey Travis, I certainly respect your experience and I see what you mean by saying this, but I was initially interested in getting people interested in the diverse music that came really specifically from live looping and I realize that trying that in Santa Cruz may be really different than in other cities (it is a pretty unusual place one has to admit) but we were going through an incredibly dry spell in terms of places to play in the city after the dot.com bust. Rents of rentable venues trebled, most nighclubs closed down to live music and went DJ only and the remaining music venues became incredibly more conservative in booking anything that was unusual. Necessity being a mother, I just started looking at opening up new places (or finding new places that were just opening up). I completely agree with Chris (aka samba) when he says that there are tons of places to play that are outside of the kinds of places that I started looking at, but a large number of the places that he mentioned are not necessarily suitable for a multiple artist performance where electric music is allowed and permissable. In Santa Cruz, as an example, virtually all outdoor gigs have gone the way of the dinasour (or $1 a gallon gasoline) due to 1) a really repressive police department and attendant laws and 2) due to the incredible rise in insurance for events. I knew I needed places where I could count on a date..........poster the show and publicize the hell out of it. My experience has actually been that using 'live looping' as a calling card has been extremely successful but mind you, I have completely eschewed gigs at jazz, blues and pop rock bars because I know from 30 years in the music business that they are usually not really open to things that are outside of their defined boxes. Trust me, I tried them all originally. The first live looping gig that was a monthly affair got started at a Sushi bar or all wierd things, but the booker was a fan of our music and realized that he wanted to help us figure out how to use this interesting technology before we even knew how to do it. Hell, I've made beaucoup bucks playing live looping based music for corporate parties, weddings and other hi paying gigs (1st Night SAnta Cruz, pit orchestra for the Calabash Awards, et. al.) but let's face it, these are not necessarily typical gigs and, in my experience, they are few and far between (especially after the lucrative dot.com era ended in the the South Bay, SF Bay and Monterey Bay areas). ************** What I have found is that a lot of people just starting out in the venue business (or art gallery, what have you) are doing so with a lot of energy and high hopes. I just have tried to translate my excitement about our very, very loose knit community to everyone I have talked to. After a while I found out that young electronica DJs and print journalists are fascinated by what the possibilities of our community are. My whole point in starting this thread was just to say , essentially, that nothing ventured, nothing gained. I have been instrumental in helping to create three different musical movements in my local area: New Wave, World Beat and now Live Looping. Every time that we have worked our asses off to promote something that is brand new (there were no African, Jamaican or MiddleEastern bands playing the Catalyst in our town before I just badgered Gary Tighe at the Catalyst over and over again to book some) and gotten a really healthy scene going on someone invariably says, "You guys are so lucky that there are so many gigs in your area." My point is that you have to get out there and make something out of nothing if you want to create a scene. If, as Chris says, you can play Safeway's produce section without being busted, go for it!!!!! It's just increasingly difficult to do that were we live (as you have to admit, Chris.........<wink>